Suraj Adekola
Contemporary Artist
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ARTIST STATEMENT
Suraj Adekola, born 1983, is a Nigerian artist living in Manchester, UK. Suraj's work is informed by the post-colonial narratives of social theorists such as Stuart Hall, Franz Fanon, Philip D. Morgan, Sean Hawkins, and Kehinde Andrew. Through painting, installation, and drawing, he uses elements of contemporary and historical material to explore the themes of migration, diversity, inclusivity, identity, and globalisation.
The exploration of the themes started due to a culture shock he experienced during his first night in the UK, as he experienced a severe cold that lasted for a week. The event makes him contemplate the experience of Blacks who were dislocated during the colonial era and how they survived the severe cold weather. This led him to think about the resilience of black people and ways in which Black identity could be sustained and promoted through art.
During his postgraduate studies in contemporary fine arts at the University of Salford in 2021, Suraj began to repurpose a traditional Adire (tie-dye) fabric as a surface for his paintings and as a major medium that serves as his visual language. Adire is an indigenous and popular indigo-tie-dyed fabric decorated with a resist-dying technique to create striking patterns, made in his hometown of Egbaland, Abeokuta, the capital of Adire-making in Nigeria. Adire fabric became part of the ways in which Suraj defines and firmly establishes his identity as Black. Suraj uses materiality to enable audiences to experience the complexities of identity through the materials. Suraj believes that material can connect us to home or to another landscape, and it can reinforce a sense of identity and belonging.
We should all be Black series
Through the series We Should All Be Blacks, Suraj aims to honour the rich cultural legacy of the Yoruba heritage and explore the complexities of identity and belonging. We aim to bridge cultural divides by using Adire as a symbol of connection and reclamation, inviting viewers to engage with personal narratives and collective memories.
By embracing diverse artistic mediums and techniques, we seek to challenge traditional boundaries and spark meaningful conversations about the fluidity of identity and the universal human experience. This series is to inspire others to share their stories, celebrate cultural diversity, and envision a more inclusive and empathetic society through the transformative power of art.
Water No Get Enemy, Ye
In this series, Water No Get Enemy, Ye, I examine the interplay of personal experience and memories, historical contexts, and the process of learning about myself and how I coexist with the world.
I draw inspiration from Nigerian musical influences such as Fela Anikulapo Kuti’s Afrobeat anthem “𝗪𝗮𝘁𝗲𝗿 𝗡𝗼 𝗚𝗲𝘁 𝗘𝗻𝗲𝗺𝘆,” which emphasises resilience and unity with the line “Water e no get enemy,” and Burna Boy’s introspective track “Ye,” with the line "𝗬𝗲, 𝗬𝗲, 𝗬𝗲, 𝗬𝗲, 𝗬𝗲, 𝗬𝗲, 𝗬𝗲,”.
Through a fusion of artistic expression and cultural symbolism, I sought to capture the essence of the journey towards self-discovery and one’s place within the broader societal landscape.
While I was making this series, I was thinking a lot about the significance of materiality, particularly the traditional Adire (tie-dye) fabric, as a conduit for cultural memory. Incorporating Adire into the paintings symbolises a tether to heritage and tradition, anchoring the artwork in the rich tapestry of Nigerian culture.
The use of lines to draw faces within the compositions reflects the fluidity of migration, echoing the movement and transitions experienced both personally and within broader societal contexts.
This series, ‘Water No Get Enemy, Ye,’’ invites viewers to contemplate the complexities of migration, identity, memory, and the ever-evolving relationship between self and society.
Same Faces, Different Background
Same Faces, Different Background, is a remarkable endeavour that resonates with the values of the organisations that work to prevent wars and promote peace worldwide. This piece is 195 pieces, each representing a different country. This project showcases the power of art to promote peace and unity on a global scale.
The project's profound message emphasises that, despite our diverse backgrounds and beliefs, we all share the same human face. It serves as a poignant commentary on the ongoing conflicts in the world, such as the war between Hamas and Israel, encouraging a vision of harmony and understanding. This project undoubtedly aligns with the missions of international organisations such as the United Nations (UN), the International Court of Justice (ICJ), the North Atlantic Treaty Organisation (NATO), the African Union (AU); and the Organisation for Security and Cooperation in Europe (OSCE). There are a few key international bodies that work to prevent wars and promote peace worldwide. It is to foster meaningful dialogue and promote a more peaceful world through artistic expression.
My creative process
Prints are available.
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